images
One of the adventures of working with mirror is that its properties can be used in so many ways. A shadow puppet escapes from the wall to hover in space. The light of a lamp suggested by white paint, places one illusion into another. Images half seen through the silvering appear to recede or emerge, Alice-like, from another dimension. Skulls, planets and butterflies can defy physics – or not – to float in mid-air.
- Taking Flight 2012.Silvered glass, shellac, acrylic paint with lead frame. 820 x 590mm £800
- Jieldé lamp (mirror) 2007Silvered glass, wood veneer, acrylic, shellac, graphite and lead frame. 950 x 600mm £800
- Anatomical Venus 2008. Silvered glass with print insert. 1000 x 1050mm (sold)
- Anatomical Woman 2012.Silvered glass, with print insert. 1000 x 1050mm
- Revolver 2012. Silvered glass with print insert. 1000 x 1050mm
- Cortina d’Ampezzo 2010 Commission
- Abstract planet mirror, 2016. Giclée print from painting set in mirror. 1000mmm diameter. Photo by Phil Coombes
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Skull, 2016. Panelled wall with chandelier reflection.
Photo by Phil Coombes
- Detail of the iron table by Giancarlo Candeago in the dining room. The glass artwork is by Ben Dray. Photograph by Stefano Scata
- Mount Faloria triptych 2012 (commission)
- Nirvanah, dematerialising Buddha